The street lights already shine, their warm light strikes the asphalt. A car comes against, further rear headlights and backlights line between the houses. On the velcro strip, a person in a red jacket moves into the depth of the image.
No one poses, no event pushes into the foreground. People are on their way to foot, in the car, on the Velo. Where their paths lead, the photo does not reveal. It shows only this short section of an evening where the city is still in motion.
On the left, trees stand in front of balconies and shop windows. Their crowns still wear a lot of green. A narrow tree already shines in autumn colors. On the right, a bright facade with dark window rows slides into the picture.
Kreuzlingen and Konstanz: Two city names, two countries, and here a street space that simply keeps the eye. If you see the recording without the location, you would probably first see an ordinary urban evening mood.
A map draws a line. A photograph holds what happens next to this line. The view remains hanging on the light on the asphalt, on the red back on the Velo, on the tree between the houses. The large geographical division returns for a moment behind the small things.
While the sky becomes darker, the lamps and windows take over the colors of the evening. The warm yellow on the road stands... [truncated for model]